

The cool thing about this sound collection is that sounds from each library mesh well when layered and mixed with each other, which means you could really cut down on the time it takes you to try to track down the right track for your scene - one that can be stacked on top of your other sounds to form something cohesive. So, you've got everything from robotic, metallic sounds to whooshing, atmospheric sounds, and even liquid, impact, and glitchy sounds, as well. MotionPulse Blackbox comes in 5 separate packs: Machine, Velocity, Organic, Impact, and Signal, a collection of over 2000 sound effects in 24-bit 96KHz quality and WAV+MP3 formats. To make it more individual I implemented my logo using element 3d. The high tech weapon sound effects are from the new MotionPulse sound package from Video Copilot.

The awesome shooting effects were created with the Video Copilots Shockwave pack in After Effects. (In fact, the first steps I ever took in visual effects were taken under the guidance of Andrew Kramer.) Apart from the hundreds of great tutorials, they've also produced advanced tools, including Element 3D and JetStrike, so the introduction of a massive sound collection, as well as more particle animations, certainly piques interests, especially when they advertise MotionPulse as "the ultimate sound effects toolkit." But, whether it is or not is really up to the users, so let's take a look at what kinds of features each of these new tools contain.
